The Augury of Mary

Short analysis of The Augury of Mary, traditional Gaelic charm or prayer used to find that which is missing.
© R J Stewart, 2004


1   God over me
     God before me God behind me,
     I on thy path oh God,
     Thou oh God
     In my steps.


2  The augury made by Mary for her own son,
    When he was for a space missing...
    Knowledge of truth,
    Not knowledge of falsehood,
    That I shall truly see my entire quest.


3  The offering made of Bride through her palm.
    Sawest thou it, o king of life?
    Said the king of life that he saw.


4   Son of beauteous Mary
     King of life,
     Give thou me eyes to see my entire quest
     With grace that shall never fail
     Before me,
     That shall never quench or dim.


     (The numbering of the sections 1-4 is my own: there are many variants of this traditional charm for frith- pronounced free or “augury”.)

     Verse 1: Affirms the sacred Directions: above, before, behind, and the path beneath. Each Direction is dedicated to Divinity before the augury is made, with a prayer for central Spirit within…thou oh God in my steps.


     Verse 2: refers to an apocryphal legend about the child Jesus, who went missing. His mother found him teaching in the courtyard of the temple, confounding the elders. This apocryphal reference validates the frith, originally pagan, in Christian context. If Mary did it to find the child Jesus, it is acceptable for us to do it. But there is also an esoteric content to this motif. The child (like the boy Merlin in Welsh legend) embodies a quality of pure spirit, truth, and innocence. When he goes to the outer court of the temple and confounds the elders, we may sense a spiritual movement, of the inner spirit towards the hardened outer consciousness.


     A further esoteric and magical motif is found in the phrase “when he was for a space missing”. While first level validates the practice of the frith through its use by Mary mother of Jesus, and the second level implies a movement of spirit through human consciousness, the third is a cosmic movement. “When he was for a space missing” refers to the Son of Light crossing the Abyss. The Great Mother, Mara/Mari (who becomes Mary in Christian legend) gives birth to the Child of Light, and at first, as with all motherhood, the child remains close to the mother. But when the Son of Light crosses into the manifest world of stars, time, space, the Mother reflects upon the Void that arises through his Absence. This theme is important in the context of frith, as it is the Absence of something that enables an empty space to be filled with knowledge of Presence.


     A further esoteric sense of this image refers to the time between the crucifixion and the resurrection, when Jesus was “missing” in the Underworld.


     Verse 3: Bride or Brigh or Brigit is the Gaelic saint/goddess of frithir or the arts of divination and augury. She is also the patroness of smith craft, poetry, and healing. All of the foregoing derives from the Sacred Fire, the Inner Fire, which kindles Stars and Souls equally. She is also known in Scotland and Ireland as the midwife and/or foster mother of Jesus.


     The offering made of Bride through her palm refers, in the outer sense, to the method of augury. The hand is curved to make a tube, through which the seer or seeress looks with one eye, the other eye being closed. There is also an inner or esoteric content, for the traditional hand position reminds us of the ancient Gaelic posture for augury and for seeing into the other world, called “one eye, one hand, one foot”. The seer/seeress stands on tiptoe on one foot, with the other foot tucked behind the knee of the standing leg. One arm is placed behind the back, while the other hand is curled before the one open eye. Try it! Note how this resembles The Hanged Man, who crosses the Abyss of Time and Space, hanging from the Tree of Life, with his hair flowing out into the river of manifest worlds.


     A further implication may be sensed in the use of the palm, for Bride, like a number of deities, is seen with a flame emerging from her palm, and from under her feet.


     The appeal to the King of Life, in verses 3 and 4, to bring truth and grace to the seer, is an appeal to Jesus as Christ, the arisen and transcendent Son of Light. This brings the frith around full-spiral, for the King of Life empowers the vision for the seer, by virtue of the history that (in human form) his mother used the augury to find him when he was missing. Without it, he might have been lost forever, and may not have fulfilled the cosmic promise of his ritual life, death, and resurrection.


     Much more can be discovered in the simple charm and its variants from Gaelic tradition, and I hope that this short exploration will encourage you to meditate upon the Augury of Mary, to practice it as a spiritual exercise (in addition to being an augury), and to try the posture of One Eye, One Hand, One Foot, in your spiritual work.

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